Publications

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Wu, C.-W.; Vinton, M., Blind Bandwidth Extension using k-Means and Support Vector Regression, Proceedings of the IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), New Orleans, 2017

Laguna, C.; Lerch, A., An Efficient Algorithm for Clipping Detection and Declipping Audio, Proceedings of the 141st AES Convention, Los Angeles, 2016

Xambo, A.; Lerch, A.; Freeman, J., Learning to code through MIR, in Late Breaking Demo (Extended Abstract), Proceedings of the International Conference on Music Information Retrieval (ISMIR), 2016

Laguna, C.; Lerch, A., Client-Side Audio Declipping, Proceedings of the 2nd Web Audio Conference (WAC-2016), Atlanta, 2016

Freeman, J., Lerch, A., Paradis, M. (Eds.), Proceedings of the 2nd Web Audio Conference (WAC-2016), Atlanta, 2016. ISBN: 978-0-692-61973-5

Lu, Y.-C.; Wu, C.-W.; Lu, C.-T.; Lerch, A., An Unsupervised Approach to Anomaly Detection in Music Datasets, Proceedings of the ACM SIGIR Conference (SIGIR), Pisa, 2016

Wu, C.-W.; Gururani, S.; Laguna, C.; Pati, A.; Vidwans, A.; Lerch, A., Towards the Objective Assessment of Music Performances, Proceedings of the International Conference on Music Perception and Cognition (ICMPC), San Francisco, 2016

Wu, C.-W.; Lerch, A., On Drum Playing Technique Detection in Polyphonic Mixtures, Proceedings of the International Conference on Music Information Retrieval (ISMIR), New York, 2016

Lu, Y.-C.; Wu, C.-W.; Lu, C.T.; Lerch, A., Automatic Outlier Detection in Music Genre Datasets, Proceedings of the International Conference on Music Information Retrieval (ISMIR), New York, 2016

Winters, R. M.; Gururani, S.; Lerch, A., Automatic Practice Logging: Introduction, Dataset & Preliminary Study, Proceedings of the International Conference on Music Information Retrieval (ISMIR), New York, 2016

Lykartsis, A.; Lerch, A., Analysis of Speech Rhythm for Language Identification Based on Beat Histograms, Proceedings of the DAGA (Jahrestagung für Akustik), Nuremberg, 2015.

O’Brien, C.;  Lerch, A., Genre-Specific Key Profiles, Proceedings of the International Computer Music Conference (ICMC), Denton, 2015.

Wu, C.-W.; Lerch, A., Drum Transcription using Partially Fixed Non-Negative Matrix Factorization, Proceedings of the European Signal Processing Conference (EUSIPCO), Nice, 2015.

Lykartsis, A.; Wu, C.-W.; Lerch, A., Beat Histogram Features from NMF-Based Novelty Functions for Music Classification, Proceedings of the International Conference on Music Information Retrieval (ISMIR), Malaga, 2015.

Wu, C.-W.; Lerch, A., Drum Transcription using Partially Fixed Non-Negative Matrix Factorization With Template Adaptation, Proceedings of the International Conference on Music Information Retrieval (ISMIR), Malaga, 2015.

Zhou, X.; Lerch, A., Chord Detection Using Deep Learning, Proceedings of the International Conference on Music Information Retrieval (ISMIR), Malaga, 2015.

Gupta, U.; Moore II, E.; Lerch, A., On the Perceptual Relevance of Objective Source Separation Measures for Singing Voice Separation, Proceedings of the Workshop on Applications of Signal Processing to Audio and Acoustics (WASPAA), New Paltz, 2015.

Winters, R. M.; Weinberg, G., Sonification of the Tohoku Earthquake: Music, Popularization, and the Auditory Sublime, Proc. 21st Int. Conf. Auditory Display (ICAD 2015), Graz, Austria, 2015.

Lykartsis, A.; Lerch, A., Beat Histogram Features for Rhythm-Based Musical Genre Classification Using Multiple Novelty Functions, Proceedings of the International Conference on Digital Audio Effects (DAFx), Trondheim, 2015.

Lerch, A., Music Information Retrieval; In Weinzierl, S. (ed.), Handbuch der Systematischen Musikwissenschaft (vol 5), Laaber, 2014

Bretan, M., Hoffman, G., Weinberg, G. (2014). “Emotionally Expressive Dynamic Physical Behaviors in Robots” In International Journal of Human-Computer Studies. (In Review)

 Clark, J., Bretan, M., Weinberg, G. (2014). “Query By Dance”, Submitted to the Proceedings of the International Conference on Multimedia and Human-Robot Interaction (MHCI 2014), London, UK. (Submitted)

 Bretan, M., Weinberg, G. (2014). “Chronicles of a Robotic Musical Companion”, submitted to Proceedings of the New Interfaces for Musical Expression Conference (NIME 2014), London, UK.

Freeman, J., Magerko, B., McKlin, T., Reilly, M., Permar, J., Summers, C., Fruchter, E. (2014) “Engaging Underrepresented Groups in High School Introductory Computing through Computational Remixing with EarSketch,” in Proceedings of the ACM SIGCSE Technical Symposium on Computer Science Education, Atlanta, Georgia.

Coler, H. v.; Lerch, A., CMMSD: A Data Set for Note-Level Segmentation of Monophonic Music, Proceedings of the AES 53rd International Conference on Semantic Audio, London, UK, January, 2014

Lee,S., and Freeman,J. "Echobo: A Mobile Music Instrument Designed for Audience to Play," in Proceedings of the New Interfaces for Musical Expression conference (NIME 2013), Seoul, Korea.

Lee,S.,and Freeman,J. (2013). "Real-time Music Notation in Mixed Laptop-Acoustic Ensembles," in Computer Music Journal (forthcoming).

Weitzner, N., Freeman, J., Chen, Y., and Garrett, S. (2013). “massMobile: Towards a Flexible Framework for Large-Scale Participatory Collaborations in Live Performances,” in Organised Sound, Cambridge University Press, 18:1.

Lee, S., and Freeman., J. "echobo: A Mobile Music Instrument Designed for Audience to Play," in Proceedings of the New Interfaces for Musical Expression Conference (NIME 2013), Seoul, Korea.

McCoid, S., Freeman, J., Magerko, B., Michaud, C., Jenkins, T., Mcklin, T., and Kan, H. (2013). “EarSketch: An Integrated Approach to Teaching Introductory Computer Music,” in Organised Sound, Cambridge University Press, 18:2.

Kraft, S.; Lerch, A., The Tonalness Spectrum: Feature-Based Estimation of Tonal Components, Proceedings of the 16th International Conference on Digital Audio Effects (DAFx), Maynooth, Ireland, September 2-5, 2013

Magerko, B., Freeman, J., McKlin, T., McCoid, S., Jenkins, T., and Livingston, E. (2013). “Tackling Engagement in Computing with Computational Music Remixing,” in Proceedings of the ACM SIGCSE Technical Symposium on Computer Science Education, Denver, Colorado.

Sun, S., Malikarjuna, T., Weinberg. G (2012), “Effect of Visual Cues in Synchronization of Rhythmic Patterns,” accepted to the 2012 International Conference of Music Perception and Cognition (ICMPC 12), Thessaloniki, Greece.

Albin, A., Weinberg, G., Egerstedt, M. (2012), “Musical Abstractions in Distributed Multi-Robot Systems,”IROS, IEEE/Robotics Society of Japan International Conference on Intelligent Robots and Systems, Vilamoura, Portugal.

Weitzner, N., Freeman, J., Garrett, S., and Chen, Y. (2012). “massMobile – an Audience Participation Framework,” in Proceedings of the New Interfaces for Musical Expression Conference (NIME 2012), Ann Arbor, Michigan.

Bretan, M., Cicconet, M., Nikolaidis, R., and Weinberg, G. (2012). "Developing and Composing for a Robotic Musician Using Different Modes of Interaction" In Proceedings of the 2012 International Computer Music Conference (ICMC 12), Ljubljana, Slovenia.

Cicconet, M., Bretan, M., and Weinberg, G. (2012) "Visual cues-based anticipation for percussionist-robot interaction" In HRI 2012, 7th ACM/IEEE International Conference on Human-Robot Interaction, Boston, Massachusetts

Freeman, J. (2012). “Georgia Tech Center for Music Technology,” in The Grove Dictionary of Musical Instruments, Oxford University Press.

Lee, S., Freeman, J., and Colella, A. (2012). “Real-Time Music Notation, Collaborative Improvisation, and Laptop Ensembles,” in Proceedings of the New Interfaces for Musical Expression Conference (NIME 2012), Ann Arbor, Michigan.

Lee, S., Srinivasamurthy, A., Tronel, G., Shen, W. (2012). “Tok!: A Collaborative Acoustic Instrument using Mobile Phones,” in Proceedings of the New Interfaces for Musical Expression Conference (NIME 2012), Ann Arbor, Michigan.

Subramanian, S., Freeman, J., and McCoid, S. (2012). “LOLbot: Machine Musicianship in Laptop Ensembles,” in Proceedings of the New Interfaces for Musical Expression Conference (NIME 2012), Ann Arbor, Michigan.

Lerch, A., An Introduction to Audio Content Analysis: Applications in Signal Processing and Music Informatics; Wiley-IEEE Press, Hoboken, 2012, ISBN: 9781118266823

Bretan, M., Weinberg, G., and Freeman, J. (2012). "Sonification for the Art Installation Drawn Together," in Proceedings of the International Conference on Auditory Display, Atlanta, Georgia.

Freeman, J., DiSalvo, C., Nitsche, M., and Garrett, S. (2012). “Rediscovering the City with UrbanRemix,” in Leonardo, MIT Press, 45:5, pp. 478-479

Lee,S., Freeman,J., Colella,A., Yao,S., and Van Troyer,A. (2012). "Evaluating Collaborative Laptop Improvisation With LOLC," in Proceedings of the Symposium on Laptop Ensembles and Orchestras (SLEO2012), Baton Rouge, Louisiana.

S. Şentürk and P. Chordia. “Modeling Melodic Improvisation in Turkish Folk Music Using Variable-length Markov Models” in Proceedings of International Conference on Music Information Retrieval, pp. 269-274, 2011.

Freeman, J. and Van Troyer, A. (2011). “Collaborative Textual Improvisation in a Laptop Ensemble” in Computer Music Journal, MIT Press, 35:2, pp. 8-21.

P. Chordia, A. Sastry, and S. Şentürk, “Predictive tabla modelling using variable-length Markov and hidden Markov models” Journal of New Music Research, vol. 40, no. 2, pp. 105–118, 2011.

Liu, Y., Sun, S. and Chordia, P. (2011). Pitch-continuity based music segmentationIn Proceedings of the 2011 Society for Music Perception and Cognition.

Albin, A. , Lee, S.W. and Parag Chordia. (2011). Visual Anticipation Aids in Synchronization TasksIn Proceedings of the 2011 Society for Music Perception and Cognition.

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