Publications

2013

  • McCoid,S., Freeman,J., Magerko,C., Jenkins,T., Mcklin,T., and Kan,H. (2013). "EarSketch: An Integrated Approach to Teaching Introductory Computer Music," in Organized Sound (in press).

  • Lee,S., and Freeman,J. "Echobo: A Mobile Music Instrument Designed for Audience to Play," in Proceedings of the New Interfaces for Musical Expression conference (NIME 2013), Seoul, Korea.

  • Lee,S.,and Freeman,J. (2013). "Real-time Music Notation in Mixed Laptop-Acoustic Ensembles," in Computer Music Journal (forthcoming).

  • Magerko, B., Freeman, J., McKlin, T., McCoid, S., Jenkins, T., and Livingston, E. (2013). “Tackling Engagement in Computing with Computational Music Remixing,” in Proceedings of the ACM SIGCSE Technical Symposium on Computer Science Education, Denver, Colorado (in press).

  • Weitzner, N., Freeman, J., Chen, Y., and Garrett, S. (2013). “massMobile: Towards a Flexible Framework for Large-Scale Participatory Collaborations in Live Performances,” in Organised Sound, Cambridge University Press, 18:1 (in press).

2012

  • Albin, A., Weinberg, G., Egerstedt, M. (2012), “Musical Abstractions in Distributed Multi-Robot Systems,” IROS, IEEE/Robotics Society of Japan International Conference on Intelligent Robots and Systems, Vilamoura, Portugal.

  • Bretan, M., Cicconet, M., Nikolaidis, R., and Weinberg, G. (2012). "Developing and Composing for a Robotic Musician Using Different Modes of Interaction" In Proceedings of the 2012 International Computer Music Conference (ICMC 12), Ljubljana, Slovenia.

  • Bretan, M., Weinberg, W., and Freeman, J. (2012). "Sonification for the Art Installation Drawn Together," in Proceedings of the International Conference on Auditory Display, Atlanta, Georgia.

  • Cicconet, M., Bretan, M., and Weinberg, G. (2012) "Visual cues-based anticipation for percussionist-robot interaction" In HRI 2012, 7th ACM/IEEE International Conference on Human-Robot Interaction, Boston, Massachusetts

  • Freeman, J. (2012). “Georgia Tech Center for Music Technology,” in The Grove Dictionary of Musical Instruments, Oxford University Press.

  • Freeman, J., DiSalvo, C., Nitsche, M., and Garrett, S. (2012). “Rediscovering the City with UrbanRemix,” in Leonardo, MIT Press, 45:5, pp. 478-479

  • Lee, S., Freeman, J., and Colella, A. (2012). “Real-Time Music Notation, Collaborative Improvisation, and Laptop Ensembles,” in Proceedings of the New Interfaces for Musical Expression Conference (NIME 2012), Ann Arbor, Michigan.

  • Lee, S., Srinivasamurthy, A., Tronel, G., Shen, W. (2012). “Tok!: A Collaborative Acoustic Instrument using Mobile Phones,” in Proceedings of the New Interfaces for Musical Expression Conference (NIME 2012), Ann Arbor, Michigan.

  • Lee,S., Freeman,J., Colella,A., Yao,S., and Van Troyer,A. (2012). "Evaluating Collaborative Laptop Improvisation With LOLC," in Proceedings of the Symposium on Laptop Ensembles and Orchestras (SLEO 2012), Baton Rouge, Louisiana.

  • Subramanian, S., Freeman, J., and McCoid, S. (2012). “LOLbot: Machine Musicianship in Laptop Ensembles,” in Proceedings of the New Interfaces for Musical Expression Conference (NIME 2012), Ann Arbor, Michigan.

  • Sun, S., Malikarjuna, T., Weinberg. G (2012), “Effect of Visual Cues in Synchronization of Rhythmic Patterns,” accepted to the 2012 International Conference of Music Perception and Cognition (ICMPC 12), Thessaloniki, Greece.

  • Weitzner, N., Freeman, J., Garrett, S., and Chen, Y. (2012). “massMobile – an Audience Participation Framework,” in Proceedings of the New Interfaces for Musical Expression Conference (NIME 2012), Ann Arbor, Michigan.

2011

  • Albin, A. , Lee, S.W. and Parag Chordia. (2011). Visual Anticipation Aids in Synchronization Tasks. In Proceedings of the 2011 Society for Music Perception and Cognition.

  • Albin, A., Şentürk, S. Van Troyer, A., Blosser, B., Jan. O, Weinberg. G. (2011), “Beatscape, a mixed virtual-physical environment for musical ensembles” Proceedings of International Conference on New Instruments for Music Expression (NIME 11), Oslo, Finland.

  • DiSalvo, C., Freeman, J., and Nitsche, M. (2011). “Participatory art as inner city workshop: The UrbanRemix sound project” in Proceedings of the Inter-Society for the Electronic Arts (ISEA 2011), Istanbul, Turkey.

  • Freeman, J. (2011). “Artist Statement: Bringing Instrumental Musicians Into Interactive Music Systems Through Notation” in Leonardo Music Journal, MIT Press, 21.

  • Freeman, J. (2011). “Listening, Movement, Creativity, and Technology” in S. Mass and K. Wurth (eds.), Liminal Auralities. New York, New York: Fordham University Press (in press).

  • Freeman, J. and Van Troyer, A. (2011). “Collaborative Textual Improvisation in a Laptop Ensemble” in Computer Music Journal, MIT Press, 35:2, pp. 8-21.

  • Freeman, J., DiSalvo, C., Nitsche, M., and Garrett, S. (2011). “Soundscape Composition and Field Recording as a Platform for Collaborative Creativity” in Organised Sound, Cambridge University Press, 16:3.

  • Freeman, J., Lee, S., Yao, S., and Albin, A. (2011). “LOLC for Laptop Music Ensemble (artist statement)” in Proceedings of the 8th ACM Creativity and Cognition Conference (CC 2011), Atlanta, Georgia.

  • Hoffman, G., Weinberg G. (2011), “Interactive Improvisation with a Robotic Marimba Player” Journal Autonomous Robots, Vol. 31. Springer Press.

  • Lee, S., Freeman, J., Colella, A., Yao, S., and Van Troyer, A. (2011). “Collaborative Improvisation in a Laptop Ensemble with LOLC” in Proceedings of the 8th ACM Creativity and Cognition Conference (CC 2011), Atlanta, Georgia.

  • Nikolaidis, R., Weinberg G. (2011), “Generative Musical Tension Modeling and its Application in Dynamic Sonification”, Computer Music Journal, Vol. 36:1.

  • P. Chordia, A. Sastry, and S. Şentürk, “Predictive tabla modelling using variable-length Markov and hidden Markov models” Journal of New Music Research, vol. 40, no. 2, pp. 105–118, 2011.

  • S. Şentürk and P. Chordia. “Modeling Melodic Improvisation in Turkish Folk Music Using Variable-length Markov Models” in Proceedings of International Conference on Music Information Retrieval, pp. 269-274, 2011.

  • Weinberg G. (2011), “Gesture-based Human-Robot Jazz Improvisation” Extended Abstract in the Proceedings of the International Conference of Machine Learning (ICML 11), Seattle, USA.

  • Chordia, P. and Sastry, A. (2011). The effect of pitch exposure on sadness and happiness judgments: further evidence for “lower-than-normal” is sadder, and “higher-than-normal” is happier. In Proceedings of the 2011 Society for Music Perception and Cognition.
  • Liu, Y., Sun, S. and Chordia, P. (2011). Pitch-continuity based music segmentation. In Proceedings of the 2011 Society for Music Perception and Cognition.

2010

  • Huang, K., Starner, T., Do, E., Weinberg, G., Kohlsdorf, D, Ahlrichs, C. and Leibrandt, R. “Mobile Music Touch: Mobile Tactile Stimulation For Passive Learning” in Proceedings of International ACM Computer Human Interaction Conference (CHI 10), Atlanta, GA.

  • Aida Austin, Elliot Moore, Parag Chordia and Udit Gupta. “Characterization of Movie Genre Based on Music Score” In Proc. of the 35th IEEE Conference of Acoustics, Speech, and Signal Processing, 2010.

  • Alex Rae and Parag Chordia. “Tabla Gyan: An Artificial Tabla Improviser” In Proc. of the First International Conference on Computational Creativity (icccx), 2010.

  • Assaf Talmudi, Aaron Albin and Parag Chordia. “Can a robot get smarter by listening to itself? Musical memory as an extended auditory-neural-motor loop” In IROS workshop on Robots and Musical Expressions, 2010.

  • David Huron, Gary Yim and Parag Chordia. “The Effect of Pitch Exposure on Sadness Judgments: An Association between Sadness and Lower-than-normal pitch” 2010.

  • Freeman, J. (2010). “Reading a Poem” in K2010. Vienna, Austria: Universal Edition. Universal Edition.

  • Freeman, J. (2010). “Web-based Collaboration, Live Musical Performance and Open-Form Scores” in International Journal of Performance Arts and Digital Media, Intellect, 6:2, pp. 149-170.

  • Freeman, J. and Colella, A. (2010). “Tools for Real-Time Notation” in Contemporary Music Review, Routledge, 29:1, pp. 101-113.

  • g Chordia, Avinash Sastry and Aaron Albin. “Evaluating multiple viewpoint models of tabla” In ACM Multimedia workshop of Music and Machine Learning, 2010.

  • Hoffman, G. and Weinberg, G. (2010) “Gesture-based Human-Robot Jazz Improvisation”, in Proceedings of the 2010 IEEE International Conference on Robotics and Automation (ICRA 10), Anchorage, AK.

  • Hoffman, G., and Weinberg G. (2010), “Synchronization in Human-Robot Musicianship” The 19th International Symposium on Robot and Human Interactive Communication (RO-MAN 10), Viarggio, Italy.

  • Hoffman, G., Weinberg, G. (2010) “Shimon: An Interactive Improvisational Robotic Marimba Player” in Extended Abstracts Proceedings of International ACM Computer Human Interaction Conference (CHI 10), Atlanta, GA.

  • Huang, K., Starner, T., Do, E., Weinberg, G., Kohlsdorf, D, Ahlrichs, C. and Leibrandt, R. “Mobile Music Touch: Mobile Tactile Stimulation For Passive Learning” in Proceedings of International ACM Computer Human Interaction Conference (CHI 10), Atlanta, GA.

  • J. Freeman and A. Colella. “Tools for Real-time Notation” Contemporary Music Review, 2010 (forthcoming).

  • J. Freeman and M. Godfrey. “Creative Collaboration Between Audiences and Musicians in Flock” Digital Creativity, Vol. 20, No. 4, 2010 (forthcoming).

  • J. Freeman. “Web-based Collaboration, Live Musical Performance, and Open-form Scores” International Journal of Performance Arts and Digital Media, Vol. 6, No. 2, 2010 (forthcoming).

  • J. Freeman. "Compose Your Own, Part 2" The New York Times Online, May 24, 2010.