Publications

2011

  • Albin, A. , Lee, S.W. and Parag Chordia. (2011). Visual Anticipation Aids in Synchronization Tasks. In Proceedings of the 2011 Society for Music Perception and Cognition.

  • Albin, A., Şentürk, S. Van Troyer, A., Blosser, B., Jan. O, Weinberg. G. (2011), “Beatscape, a mixed virtual-physical environment for musical ensembles” Proceedings of International Conference on New Instruments for Music Expression (NIME 11), Oslo, Finland.

  • DiSalvo, C., Freeman, J., and Nitsche, M. (2011). “Participatory art as inner city workshop: The UrbanRemix sound project” in Proceedings of the Inter-Society for the Electronic Arts (ISEA 2011), Istanbul, Turkey.

  • Freeman, J. (2011). “Artist Statement: Bringing Instrumental Musicians Into Interactive Music Systems Through Notation” in Leonardo Music Journal, MIT Press, 21.

  • Freeman, J. (2011). “Listening, Movement, Creativity, and Technology” in S. Mass and K. Wurth (eds.), Liminal Auralities. New York, New York: Fordham University Press (in press).

  • Freeman, J. and Van Troyer, A. (2011). “Collaborative Textual Improvisation in a Laptop Ensemble” in Computer Music Journal, MIT Press, 35:2, pp. 8-21.

  • Freeman, J., DiSalvo, C., Nitsche, M., and Garrett, S. (2011). “Soundscape Composition and Field Recording as a Platform for Collaborative Creativity” in Organised Sound, Cambridge University Press, 16:3.

  • Freeman, J., Lee, S., Yao, S., and Albin, A. (2011). “LOLC for Laptop Music Ensemble (artist statement)” in Proceedings of the 8th ACM Creativity and Cognition Conference (CC 2011), Atlanta, Georgia.

  • Hoffman, G., Weinberg G. (2011), “Interactive Improvisation with a Robotic Marimba Player” Journal Autonomous Robots, Vol. 31. Springer Press.

  • Lee, S., Freeman, J., Colella, A., Yao, S., and Van Troyer, A. (2011). “Collaborative Improvisation in a Laptop Ensemble with LOLC” in Proceedings of the 8th ACM Creativity and Cognition Conference (CC 2011), Atlanta, Georgia.

  • Nikolaidis, R., Weinberg G. (2011), “Generative Musical Tension Modeling and its Application in Dynamic Sonification”, Computer Music Journal, Vol. 36:1.

  • P. Chordia, A. Sastry, and S. Şentürk, “Predictive tabla modelling using variable-length Markov and hidden Markov models” Journal of New Music Research, vol. 40, no. 2, pp. 105–118, 2011.

  • S. Şentürk and P. Chordia. “Modeling Melodic Improvisation in Turkish Folk Music Using Variable-length Markov Models” in Proceedings of International Conference on Music Information Retrieval, pp. 269-274, 2011.

  • Weinberg G. (2011), “Gesture-based Human-Robot Jazz Improvisation” Extended Abstract in the Proceedings of the International Conference of Machine Learning (ICML 11), Seattle, USA.

  • Chordia, P. and Sastry, A. (2011). The effect of pitch exposure on sadness and happiness judgments: further evidence for “lower-than-normal” is sadder, and “higher-than-normal” is happier. In Proceedings of the 2011 Society for Music Perception and Cognition.
  • Liu, Y., Sun, S. and Chordia, P. (2011). Pitch-continuity based music segmentation. In Proceedings of the 2011 Society for Music Perception and Cognition.

2010

  • Huang, K., Starner, T., Do, E., Weinberg, G., Kohlsdorf, D, Ahlrichs, C. and Leibrandt, R. “Mobile Music Touch: Mobile Tactile Stimulation For Passive Learning” in Proceedings of International ACM Computer Human Interaction Conference (CHI 10), Atlanta, GA.

  • Aida Austin, Elliot Moore, Parag Chordia and Udit Gupta. “Characterization of Movie Genre Based on Music Score” In Proc. of the 35th IEEE Conference of Acoustics, Speech, and Signal Processing, 2010.

  • Alex Rae and Parag Chordia. “Tabla Gyan: An Artificial Tabla Improviser” In Proc. of the First International Conference on Computational Creativity (icccx), 2010.

  • Assaf Talmudi, Aaron Albin and Parag Chordia. “Can a robot get smarter by listening to itself? Musical memory as an extended auditory-neural-motor loop” In IROS workshop on Robots and Musical Expressions, 2010.

  • David Huron, Gary Yim and Parag Chordia. “The Effect of Pitch Exposure on Sadness Judgments: An Association between Sadness and Lower-than-normal pitch” 2010.

  • Freeman, J. (2010). “Reading a Poem” in K2010. Vienna, Austria: Universal Edition. Universal Edition.

  • Freeman, J. (2010). “Web-based Collaboration, Live Musical Performance and Open-Form Scores” in International Journal of Performance Arts and Digital Media, Intellect, 6:2, pp. 149-170.

  • Freeman, J. and Colella, A. (2010). “Tools for Real-Time Notation” in Contemporary Music Review, Routledge, 29:1, pp. 101-113.

  • g Chordia, Avinash Sastry and Aaron Albin. “Evaluating multiple viewpoint models of tabla” In ACM Multimedia workshop of Music and Machine Learning, 2010.

  • Hoffman, G. and Weinberg, G. (2010) “Gesture-based Human-Robot Jazz Improvisation”, in Proceedings of the 2010 IEEE International Conference on Robotics and Automation (ICRA 10), Anchorage, AK.

  • Hoffman, G., and Weinberg G. (2010), “Synchronization in Human-Robot Musicianship” The 19th International Symposium on Robot and Human Interactive Communication (RO-MAN 10), Viarggio, Italy.

  • Hoffman, G., Weinberg, G. (2010) “Shimon: An Interactive Improvisational Robotic Marimba Player” in Extended Abstracts Proceedings of International ACM Computer Human Interaction Conference (CHI 10), Atlanta, GA.

  • Huang, K., Starner, T., Do, E., Weinberg, G., Kohlsdorf, D, Ahlrichs, C. and Leibrandt, R. “Mobile Music Touch: Mobile Tactile Stimulation For Passive Learning” in Proceedings of International ACM Computer Human Interaction Conference (CHI 10), Atlanta, GA.

  • J. Freeman and A. Colella. “Tools for Real-time Notation” Contemporary Music Review, 2010 (forthcoming).

  • J. Freeman and M. Godfrey. “Creative Collaboration Between Audiences and Musicians in Flock” Digital Creativity, Vol. 20, No. 4, 2010 (forthcoming).

  • J. Freeman. “Web-based Collaboration, Live Musical Performance, and Open-form Scores” International Journal of Performance Arts and Digital Media, Vol. 6, No. 2, 2010 (forthcoming).

  • J. Freeman. "Compose Your Own, Part 2" The New York Times Online, May 24, 2010.

  • J. Freeman. "Compose Your Own" The New York Times Online, April 23, 2010.

  • J. Freeman. "DIY Scores" Symphony: The Magazine of the League of American Orchestras, September/October 2010.

  • Nikolaidis, R., and Weinberg G. (2010), “Playing with the Masters: A Model for Interaction between
Robots and Music Novices” The 19th International Symposium on Robotics in Music and Art (RO-MAN 10), Viarggio, Italy.

  • Parag Chordia, Avinash Sastry, Trishul Mallikarjuna and Aaron Albin. “Multiple viewpoints modeling of tabla sequences” InProceedings of International Conference on Music Information Retrieval, 2010.

  • Weinberg, G., Godfrey, M., Beck, A. (2010) “ZOOZbeat – Mobile Music Recreation” in Extended Abstracts Proceedings of International ACM Computer Human Interaction Conference (CHI 10), Atlanta, GA.

  • Weinberg, G., Nikolaidis, R., and Mallikurjuna, T. (2010), “A Survey of Recent Interactive Compositions for Shimon – The Perceptual and Improvisational Robotic Marimba Player” The International Conference on Intelligent Robots and Systems (IROS 2010), Taipei, Taiwan.

2009

  • Freeman, J. (2009). “Storage in Collaborative Networked Art” in H. Thorington, J. Green, and E. Navas (eds.), networked: a (networked_book) about (networked_art). Available at http://freeman.networkedbook.org/.  5 out of 35 (~14%) proposals were published from the initial open call for this online book supported by the National Endowment for the Arts.

  • Freeman, J. (2009, March 4). “Giving Your GWT Application a Voice” in Google Web Toolkit Blog (official Google developer blog). Available from http://googlewebtoolkit.blogspot.com/2009/03/giving-your-gwt-application-voice.html.

  • Parag Chordia and Alex Rae. “Using source separation to improve tempo detection” In Proceedings of International Conference on Music Information Retrieval, 2009.

  • Parag Chordia and Brain Blosser. “What Makes Ragas Sad?” Abstract in In Proc. of the 2009 Society for Music Perception and Cognition (SMPC), 2009.

  • Parag Chordia, Jagadeeswaran Jayaprakash and Alex Rae. “Automatic Carnatic Raag Classification” Journal of the Sangeet Research Academy (Ninaad), 2009.

  • Weinberg, G., Beck, A., Godfrey M. (2009) “ZooZBeat: a Gesture-based Mobile Music Studio” in the Proceedings of International Conference on New Instruments for Music Expression (NIME 09), Pittsburgh, PA.

  • Weinberg, G., Blosser B. (2009) “A Leader-Follower Turn-taking Model Incorporating Beat Detection in Musical Human-Robot Interaction” in the Proceedings of the ACM/IEEE International Conference on Human Robot Interaction, (HRI 2009) San Diego, CA.

  • Weinberg, G., Blosser B., Mallikarjuna, T., Ramen (2009) “Human-Robot Interactive Music in the Context of a Live Jam Session”, in the Proceedings of International Conference on New Instruments for Music Expression (NIME 09), Pittsburgh, PA, pp. 70-73.

  • Weinberg, G., Mallikarjuna, T., Ramen (2009) “Interactive Jamming with Shimon: A Social Robotic Musician” in the Proceedings of the ACM/IEEE International Conference on Human Robot Interaction, (HRI 2009) San Diego, CA, pp. 233-234.

2008

  • Weinberg G., Godfrey M., Rea, A., Rhodes, J. (2008) “A Real-Time Genetic Algorithm In Human-Robot Musical Improvisation”, Lecture Notes in Computer Science, Springer Press.

  • Freeman, J. “Collaborative Creation, Live Performance, and Flock” Leonardo Music Journal Vol. 18, 2008.